How revolutionary is the collective? How ideological is the individual? In SLET 1988, Marta Popivoda juxtaposes the staged, revolutionary momentum of late Yugoslavia with choreographed dance as an embodied archive, condensing the latter into a critique of state performativity.
How revolutionary is the collective? How ideological is the individual? In SLET 1988, Marta Popivoda juxtaposes the staged, revolutionary momentum of late Yugoslavia with choreographed dance as an embodied archive, condensing the latter into a critique of state performativity.